Robert Frank’s The Americans

Published in 1959, Robert Frank’s The Americans is still one of the most influential photography books of all time. To make the book, Frank took a series of cross country road trips over a two year period in which he shot 767 rolls of film, yielding about 27,000 photographs. That’s a lot of photos, even by today’s standards. What’s interesting is that he didn’t see any of his work until he was completely finished with his travels, when he processed the film and made 1,000 prints of his best shots in his apartment in New York City. Yes, of course, this now anachronistic approach was the only way for a photographer at the time. But for those like me with a decidedly slow, non-digital approach, living in a more-is-better, instant gratification age, the influence of Frank’s book—and it’s shelf life—offers a glimmer of hope.

Some Thoughts On Digital

“Firewater, Todos Santos, Baja California, 2002″ Kodak e100vs

Not so long ago, a fellow photographer friend sent me a link to an interesting story on Salon.com about the demise of film, in particular Kodachrome one of my favorite color emulsions. I thought the author’s assessment was pretty spot on, and the last paragraph especially resonated with me:

“To shoot a roll of film was to take a leap of faith. The digital evolution has eliminated a lot of uncertainty from the process, and that’s probably a net gain — especially if you’re an amateur shutterbug. Unfortunately, some other wonderful elements have disappeared as well: mystery, poetry and the element of chance.”

The ongoing debate of film vs. digital and what looks better is a personal preference, but what made this article interesting is that it made me think about my overall approach to taking photos. I don’t plan on going digital and I don’t think film will disappear entirely, but if I did, how would it change the process, in particular for situations like the preceding photograph?

I was hanging at a beach-side hotel with family at sunset, when all of a sudden the ocean and sky turned bright red. I ran down to the water to take a few shots, panning one or two to create a look of movement. I finished the roll, then put it away forgetting about it until a week or so later when I got home and had it processed. When I got the film back, most of the shots were ordinary, but this one really stood out, far exceeding my expectations.

Now, if I had used a digital camera, I could have shot away until I saw that I had something decent, and probably had more versions of the scene. But I fear that knowing my results before the colors of sunset had faded would have removed all mystery, poetry and any element of chance, and I would have lost what attracted me to photography in the first place.

The Impossible Project

Good news coming from the Impossible Project today. After being discontinued in 2008, polaroid film has been resurrected …

“As the last quantities of carefully stored original Polaroid films are currently melting like snow in the sun, it is about time to introduce a new chapter of analog Instant Photography.”

– photo and quote from The Impossible Project

all content © Joe Curren 2000–2013